Accurate. Creative. Curious. Travel-savvy.An art historian by training, I bridge the gap between the meticulous world of provenance research and evocative cultural writing.
My practice is rooted in the quiet rigor of archival research and the art of close looking—a dual approach that allows me to support private collections and institutions while distilling complex histories into compelling narratives.
From tracing the lineage of a single object to crafting immersive exhibition texts and editorial features that explore the intersection of practice and place, my work is driven by the conviction that art is not just an aesthetic pursuit, but a profound medium for storytelling.
I’ve had the pleasure of shaping research-driven narratives for In addition to work for private collections and institutions, I’ve authored research-driven stories and copy for the likes of FREDERIC, Garden & Gun, FAD, and The Phillips Collection.
Oisin Byrne: Exploring Art
and Language at Mount Stuart
A jaunty investigation into typeface, linguistics, and literature, the paintings feature letters spliced together from Gaelic texts in the Mount Stuart archive and the artist’s own collection. Some letters hop and wink, others languish across the canvas in long tonal vowel sounds. The result is a permutation of language, in which the letters themselves seem to be conducted by Byrne’s own hand, punctuating the canvas. Looking at a Byrne painting is a visual exercise that likens itself to reading music.
Goodbye Peachtree Road
Elton John’s Auction is a Love Letter to Atlanta